Showing posts with label PENCILER. Show all posts
Showing posts with label PENCILER. Show all posts

Wednesday, January 1, 2014

What are the Page Rates to do Comic Books?

Page Rates for Comic Book Talent

I’ve covered the various scenarios talent can find themselves positioned in the comic book industry and the page rates. That is corporate, small press. self-publisher and independent publisher.

So let’s review before we go further into the business of comic books and graphic novels.

Based on a 22 page comic book.
Minimum rates per page:
writing - $13
pencils - $58
inks - $29
colors - $11 to $29
letters - $3

Starting rates per page (these can go higher):
writing - $35
pencils - $125
inks - $90
colors - $50
letters - $20

Pro rates per page (these can go higher):
writing - $75 to $100
pencils - $155 to $200
inks - $100 to $175
colors - $75 to $100
letters - $35 to 50

Everyone deserves to make at least minimum wage for their services; writer, artist, colorist, letterer and any other job in America. Not only deserves, it's the law. Regardless of skill level.


to be continued…

read next - Royalties and Profits in Comic Books and Graphic Novels - The Back End Deal
previous - Do You Really Want to Create Your Own Work and Self-Publish?

Keep reading and follow me. If you have found this helpful, please let me know and share with other creators. Are the explanations clear and complete? Feel free to ask me questions.

Remember… Just Create!

If you are interested in further expanding your knowledge, then I recommend these books.

You can support this blog when you purchase a book by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

copyright 2014 H. Simpson


Wednesday, December 18, 2013

How much do you get paid?

The most asked question is "How much do you get paid?"



The answer is you're not going to get what I make, because I've been drawing comics for awhile. You're going to get a starting rate from the Big Two comic book companies.

Here's what you need to be able to do before you can think about the rate.  If you can't produce comic books pages at this speed, you are not going to be able to make a living at this.

Writer -  4 books a month
Penciler -  1 page in 8 hours 
Inker - 2 pages in 8 hours 
Colorist -  2 to 5 pages a day average

Letterer - 1  to 2 days to do a full comic book

Here are the average starting rates per page:
writing - $35 
pencils - $125
inks - $90
colors - $50
letters - $20

These are pro rates from Marvel and DC and can go higher;
writing - $75 to $100
pencils - $155 to $200
inks - $100 to $175
colors - $75 to $100
letters - $35 to 50

read next - Top Ten Artistic Talent Scale
previous - Do You Want to Sell Merchandise With Celebrity Images?

Keep reading and follow me. If you have found this helpful, please let me know and share with other creators. Are the explanations clear and complete? Feel free to ask me questions.

Remember… Just Create!

If you are interested in further expanding your knowledge, then I recommend these books.

You can support this blog when you purchase a book by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

copyright 2013 H. Simpson


Friday, April 20, 2012

Light My Fire

desk lamp

How to Become a Comic Strip, Comic Book and Graphic Novel Artist

A Word About Comfort


You're going to be spending a lot of time at a drawing table and/or in front of a computer screen drawing your comic strip, comic book or graphic novel. So create a comfortable working environment for your self that will reduce eye strain, muscle strain and fatigue, as well as poor posture. You want to stay healthy.

Lighting

Fluorescent lights are BAD for your eyes. They produce a harsh glare that strains the eyes. They also flicker over a hundred times per second. This creates eyestrain and can cause headaches or migraines.

Incandescent lights are GOOD for your eyes. The heated tungsten filament glows with subdued light similar to the afternoon sunlight.

A full-spectrum bulb is the BEST for eyes. It produces light similar to natural sunlight. This bulb provides a full spectrum of color and many people find they are able to see more noticeable differences in colors and shades. Colorists take note!

Have window light coming from the the side opposite your drawing hand so there are no shadows when you draw.

Seating

Invest in a good chair. This is another area you don't want to cheap out on yourself. Buy a chair with good lumbar support.

It is ideal to change your position every now and then. Adjust your chair and backrest at regular intervals. Stretch your fingers, hands, arms and torso often. Stand up, stretch your back muscles and walk around for a few minutes now and again.

Rather than chair with a back, you might want to consider a Ergonomic Kneeling Posture Chair.

read next - The Secret to Putting Together a Winning Portfolio
previous - Why Worry About Trim?

Keep reading and follow me. If you have found this helpful, please let me know and share with other creators. Are the explanations clear and complete? Feel free to ask me questions.

Remember… Just Create!

If you are interested in using these tools, then I recommend these products.

You can support this blog when you purchase a product by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

BONUS LINKS TO ART STORES!

http://www.blueroosterartsupplies.com/
http://www.artistcraftsman.com/
https://www.dickblick.com/
https://www.utrechtart.com/

copyright 2012 H. Simpson


Thursday, April 19, 2012

Free Comic Book / Graphic Novel template pages - Illustrator and more



Free Comic Strip, Comic Book and Graphic Novel Artist

DIGITAL TOOLS OF THE TRADE
Software

DRAWING AND LAYOUT APPLICATIONS

Here are some print size templates you can download and use for American standard size comics and graphic novels.

Download templates for Adobe Illustrator.
You can draw, color and letter with this template.
single page
double page
cover

This template includes my adaptation of the Perspective Path Tool created by great artist and all-around nice guy Freddie Williams II. I've used it with his kind permission. Check out his web-site at http://www.freddieart.com/

The perspective tool is for those who don't have the latest version of Illustrator.

*Note: Template layers are locked, nonprinting layers that you can use to manually trace images.

Download templates for Adobe InDesign.
Import your final art, then you can letter it here.
single page
double page

Download templates for Clip Studio Studio.
You can draw, color and letter with this template.
single page
double page

This is my first set of freebies. Right now they are available to everyone. In the future, I may have some only available to my subscribers, so become a subscribers today so you don't miss out..

Please support me making video tutorials on Patreon.

Keep reading and  +1 me. Share with your friends. Please comment. Just create!

Here is some recommended reading to get you started on creating your comic masterpiece. I get a little piece of the action if you buy from clicking on the links below and helps me to keep doing this and provide more freebies.

Digital Prepress For Comic Books: Revised, Expanded & Updated

Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels

DC Comics Guide to Writing Comics

Words for Pictures: The Art and Business of Writing Comics and Graphic Novels

The Art Of Comic-Book Inking 2nd Edition

DC Comics Guide to Coloring and Lettering Comics
copyright 2015 H. Simpson

Wednesday, April 18, 2012

Why Worry About Trim?


How to Become a Comic Strip, Comic Book and Graphic Novel Artist

Comic page sizes

The size of original comic book art used to be 200% larger than the printed size. This was done because it was easier for the artist to draw details and covered some mistakes when reduced.

The economy caused companies to try to save on paper and ink costs so comics are smaller than they were and the original art paper size has shrunk.

Now the original art is 150% larger than the printed size. The current paper size is 11" x 17" and the drawing area is 10" x 15". This is what you commonly are told.  If you work for a large company that gives you the paper to draw on, then you don't need to know any more than that.

It's a little more complicated than that. If you buy your own paper, you need to know a little more.

Bleed refers to art you want to go to the edge of the page - the trim size. However, if you want art to print to the edge, then your original art has to be drawn beyond the trim size to the bleed area. There also has to be a safe area to include lettering to be sure it doesn't get trimmed.

NOTE: If you self-publish you will make more money by creating comics with no bleed. You get charged for all that excess paper that gets trimmed away!

So these are the sizes you need to make. 

Live/Safe area is 9" x 13.5"
Bleed area is 10.5" x 15.75"
Trim size is 10" x 15"

These are the standard original art paper sizes. However, you can draw at any size that is proportional to the printed size. The ratio is 2:3. So if you have a small scanner you can make things easy for yourself. You don't have to draw on 11" x 17" paper and scan each half of the paper and put it back together on the computer. You can draw at a 2:3 ratio that fits your scanner.

The printed size of the current American comic is 6 3/4" x 10 1/4" (6.625" x 10.25"). 

With the current digital tools available and better printing technology you no longer have to do things the same way.

All caps were used as the standard for comic lettering because the ink would spread and close up in the small spaces between letters "a" and "e" for example. Using all caps presented new issues. A word like FLICK could not be used because the ink would spread and the word would become something else. Shield your eyes children! 

The point is that the early creators of comics wanted to use upper and lower case letters. They were forced to use all upper case by the poor quality of the paper and printing technology. So now with better paper, digital and printer technologies the creative choices are open once again. We can use upper and lower case letters which are easier to read. We don't have to keep using all caps because "that's the way it's always been done."

Likewise with drawing digitally. There's no need to draw at 11" x 17" on the computer and reduce it down. You can draw at the printed size and zoom in to 150% and you're drawing as if it is 11" by 17". There's no need to letter or color at the 11" x 17" size. You will keep your file size small and be able to see what it looks at printed size. You may also save time as you won't have to wait for your computer to render, redraw or catch up with you since your file size will be smaller. 

With original art you don't want to miniaturize. Which means drawing the same detail on a car that's far away as a car that is larger and closer to the reader. This helps to create atmospheric perspective and gives the illusion of depth. You still don't want to do this digitally, however the better quality of e-book readers and zoom in technology do open up some creative possibilities that didn't exist before. Think about it.

No matter what size you draw, use 600 dpi as your resolution. 

So here are the sizes you need to be aware of when creating a comic digitally at print size.

Live/Safe area is 6" x 9"
Bleed area is 7" x 10.5"
Trim size is 6.625" x 10.25"

*Note: Printers only need an 1/8" bleed. Any more is just a waste of your time and space.

A general guide for digital comic book lettering font sizes to use:

For print comics:
Light text (meaning not a lot of words)
size/leading = 7.35/7.75

Heavy Text (meaning you need to squeeze a lot of words on the page because it's probably over written)
size/leading = 6.35/6.75

For web comics:
Light Text
size/leading = 10/12

Heavy Text
size/leading = 9/11

A good guide is to use no more that 25 to 28 words per balloon or caption.

https://kleinletters.com/HandBasics.html - How to letter by hand by Todd Klein.

Next…  I'll have some templates for you to download or maybe I'll only make it available to people who I see follow me.

read next - Light My Fire
previous - Wow, What a Spread!

Keep reading and follow me. If you have found this helpful, please let me know and share with other creators. Are the explanations clear and complete? Feel free to ask me questions.

Remember… Just Create!

If you are interested in further expanding your knowledge, then I recommend these books.

You can support this blog when you purchase a book by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

Please support me making video tutorials on Patreon.

copyright 2012 H. Simpson


Monday, April 16, 2012

Using 3 Point Perspective - Adobe Illustrator Tutorial


Tutorial showing how to draw a 3 point perspective grid using Adobe Illustrator software. 



to be continued…

Keep reading and +1 this blog. Share with your friends. Please comment.

Remember… Just Create!

Copyright 2016 H. Simpson

If you are interested in further expanding your knowledge, then I recommend these books.

When you purchase a book by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

Thursday, April 5, 2012

Photocopy Your Bum

Multiple copies of teen-age male face

How to Become a Comic Strip, Comic Book and Graphic Novel Artist

Tools of the Trade


49. PHOTOCOPY MACHINE - This is a tool you don't have to own, yet comes in very handy. You always want to make copies of your work at the pencil stage and inked stage to document it for yourself. It is also good if work has gotten lost in the mail so you don't have to redraw it. Inkers can lightbox the pencil copy and ink on a board. A good clean copy of inks and lettering can be used for reproduction.

You can use it in the production process. Your thumbnails can be enlarged to print size. Tighten up your drawings and then print size can be enlarged to original art size. Finalize the art and original art size can be reduced to print size to get a sense of how screens and other things will reproduce.

Create montages, duplicate backgrounds, figures and many other uses.

Now because of advances in technology, you can own a portable photocopier, scanner and fax machine, sometimes all-in-one. I advise against the all-in-one machines as when one function is broken, the you lose the use of the other functions.

This leads me nicely to the digital tool set. So next time we will begin looking at the software and hardware available to use for cartooning and drawing.

Next... Digital Tools

read next  - Ghost in the Machine

Keep reading and follow me. If you have found this helpful, please let me know and share with other creators. Feel free to ask me questions.

Remember… Just Create!

If you are interested in further expanding your knowledge, then I recommend these books.

When you purchase a book by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

copyright 2012 H. Simpson



Friday, March 30, 2012

You are about to be boarded

How to Become a Comic Strip, Comic Book and Graphic Novel Artist

Tools of the Trade

27. DRAWING BOARD/LAP BOARD - A portable wooden board or flat surface set at an angle in your lap against a table. Also known as portable drafting tables or portable drawing boards.

28. PARALLEL STRAIGHTEDGE BOARD - A compact, portable unit set at an angle in your lap against a table.  No t-square needed as the portable drafting board has the parallel straightedge attached for drawing straight lines. The pulley system moves the straightedge easily and precisely up and down over the drawing paper.

29. PARALLEL STRAIGHTEDGE - A straightedge that replaces the t-square when attached to the drafting table or drawing board.

30. DRAFTING TABLE - An adjustable drawing table.

It's not a good idea to draw by laying the drawing board flat an a kitchen table or having your drafting table flat. The drawing may be distorted. You want to angle the board so it's almost parallel to your face. This is better to see what you're drawing and for your back.

The steeper the angle, the more fluid the ink has to be, to flow properly.
The lower the angle, the slower the ink has to be, in order not to flow too fast.

to be continued...

read next - The Ruler's Back

Keep reading and follow me. If you have found this helpful, please let me know and share with other creators. Feel free to ask me questions.

Remember… Just Create!

If you are interested in using these tools, then I recommend these products.

When you purchase a product by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

BONUS LINKS TO ART STORES!





copyright 2012 H. Simpson

Wednesday, March 28, 2012

Paper Tales

Boy walking in bubble

How to Become a Comic Strip, Comic Book and Graphic Novel Artist

Tools of the Trade


22. PAPER - Three-ply bristol board with a kid finish is the best to use. A kid finish has enough tooth (roughness) in the paper for the pencil and is smooth enough to lay down india ink. Plate finish is too smooth for pencil work. A rough paper needs a fast, fluid ink. A smooth plate paper requires a slow ink.

While three-ply is the best; for economic reasons two-ply is used by most companies. But you can still be economical and use the best paper. Bristol board is available in large sheets. Buy it this way and cut it down to size. The art store may cut the paper to size for you in the store; if you are nice and say pretty please. This is the cheapest way to buy paper and get more bang for your buck.

Nowadays there are pre-cut, pre-lined prefabricated comic boards for sale. You can still beat these prices and get better quality paper even if you only buy the 14" x 17" pad and cut it down to size. If the art store won't cut it for you, then you can do it at an office supply store.

Comic books and graphic novels are usually drawn on two-ply bristol board. A rough finish may make some pen nibs catch on the tooth if you apply pressure. Ink takes longer to dry on the smooth plate finish, so be careful not to touch it. 

There is a difference between different brands of paper. Cheaper brands are less relaible.

PAPER SIZE

Comic book art pages used to be twice the size of the finished product. Now both have shrunk in size due to rising paper and oil costs.

Now the live art area is 10"x 15". The paper size is 11" x 17". You can draw any size as long as it's in the correct proportions to the comic book. Graphic novels give you more freedom to draw at any size and print at any size. I know an artist who draws on a paper size that fits his scanner.

Comic strip live art area is 13.25" x 4.25".  The same rule apples concerning the correct proportions. A half-inch border on every side is good to have.

Single panel comic strips live area is 3.5" x 4" high. You can use any size if you keep the proportions correct.

23. VELLUM - A translucent material not related to the bristol board finish. Vellum paper is like tracing paper but is smooth, durable, better quality and costs more. This is great for artists who erase a lot and wear the paper surface away.  But remember, I've given you ways avoid erasing. So this shouldn't be an issue.

You can ink on this very well. Vellum is more delicate than bristol board, so tearing it is a major concern. Mount the vellum on a piece of white board when you are done.


to be continued...

read next - Rock Paper Scissors

Keep reading and follow me. If you have found this helpful, please let me know and share with other creators. Feel free to ask me questions.

Remember… Just Create!

If you are interested in using these tools, then I recommend these products.

When you purchase a product by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

BONUS LINKS TO ART STORES!





copyright 2012 H. Simpson


Sunday, March 4, 2012

Erasers are not for mistakes

Disaster area observed by cat

How to Become a Comic Strip, Comic Book and Graphic Novel Artist

Tools of the Trade


7. ERASERS - Pink Pearl, plastic, art gum, kneaded and erasers are the kinds most often used.  You don't want to let your palm touch the paper while you're drawing. Hand oils and sweat harm the paper surface and can make it difficult to erase and to lay down ink. So you certainly don't want to buy an eraser that has oil in it.

Pink Pearl  has a pumice - a volcanic ash from Italy - that helps the organic rubber erase and gives it an abrasive quality. The rubber and vulcanized vegetable oil (factice) gives the Pink Pearl its distinctive aroma.

It's good to clean tarnished contacts on computer circuit boards, cotton upholstery, golf balls, gold, piano keys and to remove scuff marks from floors. Never use it on your art, as it is an abrasive eraser that loosens and removes the paper fibers. 

Plastic (vinyl) is  made of polyvinylchloride (PVC), calcium carbonate (chalk), chloride, and coloring agents among other ingredients. It is white or blue. It is gentle on paper and works better than pink erasers. They are prone to hand oil smears. They also smear when erasing large areas or dark pencil lines. It is much better for erasing light marks and precise erasing. On soft graphite it tends to smudge.

The residue left behind clumps together and can be easily brushed away.

This is used in electric erasers and as a stick in a knock pen.

Art gum (also known as soap eraser) is a brown solid factice eraser which may contain modifiers and chalk. It rubs out graphite cleanly without eroding away the actual paper surface or leaving behind smudges. Best used for large areas. Not good for precise work as it leaves pieces of eraser all over the place every time it is used. The residue must be blown or brushed away

Kneaded eraser is the gentlest on paper. Not as effective if you press down hard on your pencil. It is made of vulcanized vegetable oil (factice), natural and synthetic rubbers, pumice and coloring agents. Mold it with your fingers, stretching and folding, twisting and making the shape you need for precise or broad marks. Good for cleaning up, picking out soft highlights and gently graphite.

All of the above have oil in them which I stated is not good for the paper. So what is an artist to do?

The answer is simple use something that doesn't have oil, which is POSTER ADHESIVE (poster putty). This is the removable/reusable adhesive used to hang posters and papers sold in most drug and stationery stores. The actual ingredients are corporate secrets. The important thing is it contains no oil!

Poster adhesive is great because they work like kneaded erasers and last a long time. It has greater tack and lifting strength. The adhesive is stretchy. This is great when you want to shape them to fit into a tight point or when you want to ball them up to eraser a wide area. Place it on an area that is a little too dark, press down and you can instantly lift graphite to lighten an area. Repeatedly touching the adhesive to a drawing pulls more graphite free, gradually lightening the work.

To clean this poster adhesive just stretch it out, fold it over and repeat until clean. Over time it does become gray, yet it is still good to use. After a long time when it has too much graphite it loses the smooth surface and gets sticky. Then it's time to move on to the next one in the pack. One pack can last years and years. To last even longer, don't use a entire piece. Just break off a small ball to use.

Now the best thing is to never use an eraser for mistakes. Use it as another art tool. 

If you draw light for your initial rough sketches/layouts or use non-repro blue, then you don't have to use an eraser.

8. DRY CLEANING PAD - Contains eraser bits or grit-free powder that gently removes graphite, dirt and smudges without harming the paper surface.

9. ERASER SHIELD - A small metal or plastic piece about 2 ¼ “ x 3 ½” with a variety of openings. These different shapes and sizes allow precise masking of small areas. The shield allows you to erase without smearing or accidentally erasing other areas of the drawing. An eraser shield is good for correcting and editing a drawing.

10. FEATHER DUSTING BRUSH - Will gently lift away loose particles. Excellent for artists using pastels, chalks, charcoals and other powdery media.

to be continued...


Keep reading and follow me. If you have found this helpful. please let me know and share with other creators. Feel free to ask me questions.

Remember… Just Create!

If you are interested in using these tools, then I recommend these products.

When you purchase a product by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

BONUS LINKS TO ART STORES!


copyright 2012 H. Simpson

Wednesday, February 22, 2012

Pencilers Have Better Point Control

Lion King Disney Adventures cover art
My Art for Disney Adventure Magazine Cover

How to Become a Comic Strip, Comic Book and Graphic Novel Artist



Traditional Tools

2. PENCIL SHARPENERS - You can use a wooden pencil, clutch pencil or a mechanical pencil.
Clutch pencils use 2mm graphite refills which are the same size as the wood cased pencils.
Mechanical pencils have graphite refill sizes such as .3mm, .5mm and .7mm

Let's look at how you sharpen all.

A wooden pencil can be sharpened with a manual, mechanical (hand powered) or electric sharpener. The blades inside the sharpener shaves the wood away and also grinds away your precious graphite.

To keep the most graphite available to you it's best to use a razor blade or Exacto knife to carve only the wood away.

Mechanical pencils save you from constant sharpening and in the long term are more effective and cheaper to use a than wooden pencil. You don't really have to sharpen the thinner graphite widths at all. The thicker graphite does require sharpening to get a fine point.

You may have noticed I didn't mentioned how to get the point back on the wooden pencils after you've carved away the wood with a blade. The answer is the same for getting the point back on a thick mechanical pencil; use sandpaper.

While you can purchase a sandpaper block/pad (sandpaper attached to wood), you should know by now I'm all for the most cost effective alternative. In this case it's best to buy sheets from the hardware store. Choose Sandpaper with a fine grit (grade) in the #180 to #100 range.

I used the sand paper block first and I was going through them quickly. I was in a hardware store and saw that the cost of a package of 10 (9" x 11") sheets was less than a sanding block for all the sandpaper I was getting. I bought that package and cut my own strips of 1" x 2" as I needed them and have have been using that package for years. I haven't purchased sandpaper again.

You may also want to try an emery board.

to be continued...

read next - Have your cake and eat it too!
previous - Tools of the Trade

Keep reading and follow me. If you have found this helpful please let me know and share with other creators. Feel free to ask me questions.

Remember… Just Create!

If you are interested in further expanding your knowledge, then I recommend these books.

When you purchase a book by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

copyright 2012 H. Simpson

Tuesday, February 21, 2012

Tools of the Trade

My pencil drawing of Peter Falk as Columbo
My pencil drawing of Peter Falk as Columbo

How to Become a Comic Strip, Comic Book and Graphic Novel Artist

Traditional Tools

1. PENCILS - A non-repro blue pencil is great to use because you don't have to erase it. Anything that saves you time is an asset. Saving time becomes very important when you need every second to meet a deadline. 

Now if for some reason you do not want to use a non-repro blue pencil, then you can use a regular gray pencil. Even though pencils are referred to as having lead, it is really mostly graphite. We call it graphite because the man who discovered graphite thought he had found lead. Today, graphite and clay are mixed with water and pressed very tightly together with high temperatures into thin rods. Graphite gets it name from the Greek word meaning "to write".

You really can use any type of pencil to draw. Be aware that soft graphite smears and makes a mess and hard graphite can dig into the paper if you're not careful.

Art pencils use the English scale to grade graphite which is a combination of numbers and letters with "B" standing for soft graphite that gets blacker the softer it is and much messier. The higher the number the softer the graphite and the more it smears.

"H" stand for hardness of the graphite. The higher the number, the harder the graphite and the lighter the pencil mark made.

"F" stands for fine point. As you start from F to 9H the pencil is able to hold a fine point longer.
The American grading system uses numbers. You may have used a number 2 in elementary school as a kid and HB is equivalent to that pencil. So you can keep using it to draw if you wish. But you may want to put your big boy pants on (or big girl panties) and do something bold; EXPERIMENT.

The fun of art is exploring and playing with the tools to see what they can do. Run away from anyone that tells you you should use an HB or 2B pencil. Buy every pencil grade and draw with them all and see what works for you. 

When I don't use non-repro blue, I have personally settled on a 2 pencil combination. I use the 4H to do rough drawing, then use a 2B to tighten it up darker. Why? Because the 4H pencil lines I don't have to erase. Once I lay down a darker graphite the 4H lines are barely noticeable.

So what are you waiting for? Go play with pencils!

to be continued...

BONUS LINKS TO CHECK OUT NOW!





previous - Talk Dirty to Me

Keep reading and follow me. If you have found this helpful please let me know and share with other creators. Feel free to ask me questions.

Remember… Just Create!

If you are interested in further expanding your knowledge, then I recommend these books.

When you purchase a book by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

copyright 2012 H. Simpson