Monday, June 8, 2026

What Artists Miss When They Argue About AI

Photo by Rodrigo Rodrigues | WOLF Λ R T on Unsplash

Lately, I’ve seen artists panicking about AI, and I get why. It feels like someone is sneaking into your studio and stealing your pencils and brushes.

I grew up sharpening my craft the hard way, hours at the kitchen table, then the drafting table, crayons, markers, color pencils, ink stains, paint on my clothes and under my fingernails, deadlines, the whole shebang.

Artists keep asking me why I’m leaning into AI when I’ve spent my whole life drawing by hand; even when I use the computer, I’m still drawing by hand. The answer’s simple: I’m not betting on the tool, I’m betting on the artist who knows how to use it.

Here’s the truth: AI isn’t replacing artists. The artists who learn to use it will replace those who don’t.

I’m not anti-AI. I’m anti-artists getting left behind because they waited too long. How long did it take you to start drawing on the computer?

I’ve put decades into my craft, and I’m not about to let fear make decisions for me. If anything, AI pushed me to level up, not check out.

If you’re an artist watching all this unfold, now’s the moment to get curious. Not defensive. Not bitter. Curious.

Your creativity is still the engine. AI gives you a bigger car.

If you’re an artist, this is the moment to get ahead of the curve instead of hoping the curve slows down. Learn the tools. Shape them. Bend them toward your vision. Stay the artist in the room who understands where things are going.

Because the artists who learn AI aren’t losing jobs.

They’re taking them.

copyright 2026 by Howard Simpson

Wednesday, February 12, 2025


AI, Copyright, and the Future of Artists Like Us

The U.S. Copyright Office just dropped a deep dive into AI and copyright. If you’re an artist, designer, or creative of any kind, you need to pay attention. The report, Identifying the Economic Implications of Artificial Intelligence for Copyright Policy, doesn’t just analyze the law—it breaks down how AI is reshaping the economics of creativity. And yeah, it’s as serious as it sounds.

Here’s what stood out:

1️⃣ Can AI Art Be Copyrighted?

Right now, AI-generated work isn’t eligible for copyright unless there’s enough human creativity involved. But where’s the line? If an AIassistsyour process, does that count? If AI spits out a design that’s 90% your style, should it be protected? After all, you can train AI on your style. These are questions no one has clear answers to yet, and that’s a problem.

2️⃣ AI’s "Inspiration" vs. Straight-Up Infringement

AI models are trained on billions of images, artworks, and written works—many created by human artists like us. But is thatlearningor theft? If AI generates something strikingly similar to an existing painting, is it just a remix, or is it copying? The way copyright law definesoriginalityandinfringementis about to get tested in ways we’ve never seen before.

3️⃣ Whose Face, Whose Voice?

AI isn’t just mimicking styles—it’s cloning identities. From digital actors to AI-generated voices, the tech is getting scary good at replacing human creatives. The report talks about rights of publicity—meaning, should artists, musicians, and performers have legal control over their likeness, style, or voice when AI can imitate them in seconds?

4️⃣ The Data Dilemma: Should AI Companies Pay for Training Data?

Right now, AI companies are scraping massive datasets—including copyrighted works—without paying creators. Some argue it’s fair use; others say it’s flat-out exploitation. If AI companies had to license our work to train their models, how would that change the game?

🔹 What This Means for Artists

We’re at a turning point. AI is already competing with us, and if we don’t push for fair policies now, the future could look like a digital Wild West where human artists are devalued while AI profits from our creativity. This report doesn’t provide final answers, but it does frame the economic stakes in a way policymakers can’t ignore.

💡 What’s Next?

Copyright policy is still evolving, and artists need to be part of the conversation. Whether it’s fighting for licensing rights, pushing for transparency in AI training, or figuring out how to protect our styles, voices, and livelihoods, we can’t afford to sit this one out.

👉🏽 What do you think? Should AI be able to train on copyrighted art? Should AI-generated work be copyrightable? Let’s talk. 👇🏽


text copyright 2025 Howard Simpson


 

Thursday, February 23, 2023

How to Use Shot Manager Add-On for Blender to Create Storyboards


Tutorial about creating a full 2D storyboard in Blender. Shot Manager is a fast process, done in the same application and environment that the previz or 3D layout that will follow, and the transition to 3D shots is very smooth and natural in the workflow. This is Part One.

Sunday, March 27, 2022

Handy Uses for the Fill Tool in Clip Studio Paint


Today you will learn every use for the Fill Tool. This is a comprehensive look at the many ways to use of the Fill Tool.

If I missed a use for the Fill Tool please let me know.

The Fill Tool wasn't made to roll alone, or this would be a short tutorial. It has to hook up with something else; Layers, Selections and Masks.

Friday, January 28, 2022

How to Draw and Paint All Hair - Clip Studio Paint Tutorial


Check out my Clip Studio Paint tutorial for how to draw hair. You will most likely learn things you never knew about hair.


Today you will learn to draw simple straight hair and complicated curly hair types using different drawing styles. Once you finish this tutorial, you will have the information and confidence to draw all hairstyles from reference and imagination.