Showing posts with label BALLOONS. Show all posts
Showing posts with label BALLOONS. Show all posts

Wednesday, May 8, 2013

Visual Vocabulary of Graphic Novels and Comic Books


Time to Catch Up

I got side tracked from this, so here are links to what I've discussed so far:

Layout, Panels and Grids

Balloons and Captions

Sound Effects

Next I'll be discussing:
Glyphs

read next - Come and Get it Travel Time
previous - Gentleman Color Theory

Keep reading and follow me. If you have found this helpful, please let me know and share with other creators. Are the explanations clear and complete? Feel free to ask me questions.

Remember… Just Create!

If you are interested in further expanding your knowledge, then I recommend these books.

You can support this blog when you purchase a book by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.


copyright 2013 H. Simpson

Friday, November 16, 2012

Types of Speech Balloons and Captions for Comics and Graphic Novels

These are examples of different types of word balloons and captions. These are not the only way to portray these types. You can be very creative in your interpretation of these types.

Dialogue - used with quotes when it's in a caption.
Thought - with captions sometimes a symbol is used in the upper left to let you know who is thinking and/or it is color coded.

Computer - indicates computer audio.
Double Gutter Burst - two balloons one inside the other to indicate yelling; not screaming.
Ghostly
Icicle - indicate cold shoulder being given or pissed off attitude.
Loud Speaker
Monster
Radio/Electronic - indicate speech broadcast via radio, TV or other devices.
Robot - indicate artificial being speaking.
Scream
Telepathic - indicate character is using their mind to communicate.
Telephone - indicate person speaking on other end of phone.
Weak - indicate character is distressed, dying, tired or becoming unconsciousness  in some way.
Whisper - indicate softly spoken speech.

Types of Balloons and Captions

and many more that haven't been done because you haven't created it.

The typeface chosen and color can add to the effect also and should be used where needed.

Hey creators. Are the explanations clear and complete? Feel free to ask me questions.

to be continued...

read next - Sound Effects for Comics and Graphic Novels
previous - Balloon and Caption Placement for Comics and Graphic Novels

Keep reading and follow me. If you have found this helpful, please let me know and share with other creators. Are the explanations clear and complete? Feel free to ask me questions.

Remember… Just Create!

If you are interested in using these tools, then I recommend these products and books.

You can support this blog when you purchase a item by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

Please support me making video tutorials on Patreon.

copyright 2012 H. Simpson.

Thursday, November 15, 2012

Speech Balloon and Caption Placement for Comics and Graphic Novels


Word Balloon and Caption Placement

If you are working from a full script, then put in your text first to get a general idea of space needed.
Do this whether you are working digitally or traditionally.

text placed on page

Then draw your figures. 


Layout figures

Then you can go back and finalize the text position and balloons.


Do final ballons and captions

If you are working from a plot, then leave the top third empty, but don't leave empty space. As you draw leave a dead space just begging for a balloon or caption. 

Check out more on balloon and caption placement from one of the masters in the field; Todd Klein on his blog.

Also check out this article by the great Nate Piekos on grammar and aesthetic traditions.

read next - Types of Balloons and Captions for Comics and Graphic Novels
previous - Framing Word Balloons and Captions for Comics and Graphic Novels

Keep reading and follow me. If you have found this helpful, please let me know and share with other creators. Are the explanations clear and complete? Feel free to ask me questions.

Remember… Just Create!

If you are interested in further expanding your knowledge, then I recommend these books.

You can support this blog when you purchase a book by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

copyright 2012 H. Simpson.




Wednesday, November 14, 2012

Framing Word Balloons and Captions for Comics and Graphic Novels


Speech Balloons That Create Panelitis


Don't give your characters Panelitis.

Panelitis occurs when you have to squeeze your characters to fit into the panel
or under the word balloon or caption.

You either bend them or distort them.

Also don't cut off their head or hat.



When drawing just automatically leave the upper third of the panel open for balloons and captions.

Be careful. Don't leave a wide open space. Draw in the space, but don't put critical information there.




Keep reading and follow me. If you have found this helpful, please let me know and share with other creators. Are the explanations clear and complete? Feel free to ask me questions.

Remember… Just Create!

If you are interested in further expanding your knowledge, then I recommend these books.

You can support this blog when you purchase a book by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

copyright 2012 H. Simpson.


Tuesday, November 13, 2012

Word Balloons for Comics and Graphic Novels


Speaking Order for Speech Balloons

For western audiences, the first person to speak should always be
on the left to match the reading order of left to right and top to bottom.

The second balloon will be to the right and if possible make it a bit lower than the first balloon.


This is not a good idea.

Better solution if person on the right must speak first.

OR
change the wording.


Keep reading and follow me. If you have found this helpful, please let me know and share with other creators. Are the explanations clear and complete? Feel free to ask me questions.

Remember… Just Create!

If you are interested in further expanding your knowledge, then I recommend these books.

You can support this blog when you purchase a book by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

copyright 2012 H. Simpson.


Friday, June 29, 2012

Top 10 Amateur Lettering Mistakes

Top 10 Amateur Lettering Mistakes

Nate Piekos warns amateurs not to make these mistakes by helping them see what them look like.
Check out his web-site Blambot.

Number 5 should be "INconsistent"!


to be continued…

read next - How to Copyright Your Art and Comic Book Creations
previous - What Makes You Beautiful?

Keep reading and follow me. If you have found this helpful, please let me know and share with other creators. Are the explanations clear and complete? Feel free to ask me questions.

Remember… Just Create!

Copyright 2016 H. Simpson

If you are interested in further expanding your knowledge, then I recommend these books.

When you purchase a book by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

Wednesday, June 20, 2012

What Makes You Beautiful Speech Balloons?


Word Balloons and Lettering for your Comic Book, Comic Strip and Graphic Novel

Comic Book Speech Balloons and Lettering

You are going to be in one of three situations concerning lettering:

1. You get a plot from a writer/co-writer. In which case, you won't know the exact dialogue ahead of time.

Typically when you do your art you should leave about a third of the panel space at top for word balloons. That doesn't mean you leave empty space, it means you compose your scene so no vital information gets covered.You want to make your lettered page beautiful.

Here's a couple of pages I did from a plot. You can see that I've mostly left space at the top of the panels.
pencil art comic book page
Panel 3 is a little tight above her head.

pencil art comic book page
Panel 2 is tight above their heads, however there is plenty of space on each side as an alternative.

2. You get a full script from a writer/co-writer. Now you do have the dialogue and captions. 

Now you can immediately consider the balloon placement when you do your thumbnails and layouts.

3. You are writing this yourself. Now you do know the dialogue and captions and most likely you keep changing it as you go along. Creative people… sheesh!

In any case you are still considering the whole page design with the balloons. There may not be a written script, as some artists start conceiving the story while they do their thumbnails. Which is what I do when I do the thumbnails.

I've included approximate balloon placements in my page design.

to be continued…

Comic Book Grammar & Tradition

BETTER LETTERER: Comic Lettering Tips

read next - Top 10 Amateur Lettering Mistakes
previous - Introduction to Speech Balloons

Keep reading and follow me. If you have found this helpful, please let me know and share with other creators. Are the explanations clear and complete? Feel free to ask me questions.

Remember… Just Create!

Copyright 2016 H. Simpson

If you are interested in further expanding your knowledge, then I recommend these books.

When you purchase a book by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

Tuesday, June 19, 2012

Introduction to Speech Balloons and Lettering for Comic Books

Word Balloons and Lettering for your Comic Book, Comic Strip and Graphic Novel

Okay, it looks like I can get back to a regular blogging schedule.

This is an introduction to word balloons and lettering.

I started learning lettering by hand when I began my career. I quickly decided I rather spend my time drawing. I didn't enjoy hand lettering. However, I did make sure I did the balloon placements whenever I could. Every artist should do this if you are not lettering your own work.

As an artist the word balloons should be considered a part of the page design and not an after thought.

If you are working with a writer from a plot, then you can't really incorporate the balloons into your layout. After the script is written make sure you do the balloon placements.

If you are the writer or get a full script from the writer, then you should make the balloon placement a consideration in your page design.

I do the lettering with the computer now, so I'll be discussing that. 

Here's how to hand letter comics.


Until tomorrow take a look at this fine example of hand lettering by Todd Klein.

He may still have some prints available. Check out his blog. Tell him I sent you.


OOHH my! I just found this minutes after I posted my blog, by Chris Oatley about balloon placement. Consider it a preview of what I'm going to cover.

BONUS LINK!


to be continued…

read next - What Makes You Beautiful?
previous -  Free Form Panel and Page Design

Keep reading this blog. Share with your friends. Please comment.

Remember… Just create!

Copyright 2016 H. Simpson

If you are interested in further expanding your knowledge, then I recommend these books.

When you purchase a book by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

Friday, May 25, 2012

A nice method to do thought balloon lettering.

How to Become a Comic Strip, Comic Book and Graphic Novel Artist


Nate Piekos has a nice method for doing thought balloon lettering for comic books, comic strips and graphic novels.

Some of you may think it's old fashioned to use thought balloons. Some people think that about black and white movies. Some won't even watch them. Aww... poor thought restricted babies.

The film The Artist won 5 Oscars last year. You can't get more old school, than a silent and black and white film.




to be continued…

read next - Review Panels in Comics and Graphic Novels
previous - Panels and More Panels

Keep reading and follow me. If you have found this helpful, please let me know and share with other creators. Are the explanations clear and complete? Feel free to ask me questions.

Remember… Just Create!

Copyright 2016 H. Simpson

If you are interested in further expanding your knowledge, then I recommend these books.

When you purchase a book by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

Monday, April 30, 2012

A Pause for the Cause

Man sitting alone at bus stop
One of  a series of illustrations done for a Kelly Thomas video

How to Become a Comic Strip, Comic Book and Graphic Novel Artist


Okay I've discussed the terminology, tools and preparing your portfolio, as well as how to submit your art.

If you're just joining now, then it would be good to go to the beginning and read this is order.

Next we're going to look at the visual vocabulary of comics.

That includes:

Panels
Balloons
Captions
Sound Effects
Actions
Expressions
Feelings and emotions
Symbols
Glyphs

Next…Panels and gutters.

Keep reading and  +1 me. Share with your friends. Please comment. Just create!

copyright 2012 H. Simpson

Wednesday, April 18, 2012

Why Worry About Trim?


How to Become a Comic Strip, Comic Book and Graphic Novel Artist

Comic page sizes

The size of original comic book art used to be 200% larger than the printed size. This was done because it was easier for the artist to draw details and covered some mistakes when reduced.

The economy caused companies to try to save on paper and ink costs so comics are smaller than they were and the original art paper size has shrunk.

Now the original art is 150% larger than the printed size. The current paper size is 11" x 17" and the drawing area is 10" x 15". This is what you commonly are told.  If you work for a large company that gives you the paper to draw on, then you don't need to know any more than that.

It's a little more complicated than that. If you buy your own paper, you need to know a little more.

Bleed refers to art you want to go to the edge of the page - the trim size. However, if you want art to print to the edge, then your original art has to be drawn beyond the trim size to the bleed area. There also has to be a safe area to include lettering to be sure it doesn't get trimmed.

NOTE: If you self-publish you will make more money by creating comics with no bleed. You get charged for all that excess paper that gets trimmed away!

So these are the sizes you need to make. 

Live/Safe area is 9" x 13.5"
Bleed area is 10.5" x 15.75"
Trim size is 10" x 15"

These are the standard original art paper sizes. However, you can draw at any size that is proportional to the printed size. The ratio is 2:3. So if you have a small scanner you can make things easy for yourself. You don't have to draw on 11" x 17" paper and scan each half of the paper and put it back together on the computer. You can draw at a 2:3 ratio that fits your scanner.

The printed size of the current American comic is 6 3/4" x 10 1/4" (6.625" x 10.25"). 

With the current digital tools available and better printing technology you no longer have to do things the same way.

All caps were used as the standard for comic lettering because the ink would spread and close up in the small spaces between letters "a" and "e" for example. Using all caps presented new issues. A word like FLICK could not be used because the ink would spread and the word would become something else. Shield your eyes children! 

The point is that the early creators of comics wanted to use upper and lower case letters. They were forced to use all upper case by the poor quality of the paper and printing technology. So now with better paper, digital and printer technologies the creative choices are open once again. We can use upper and lower case letters which are easier to read. We don't have to keep using all caps because "that's the way it's always been done."

Likewise with drawing digitally. There's no need to draw at 11" x 17" on the computer and reduce it down. You can draw at the printed size and zoom in to 150% and you're drawing as if it is 11" by 17". There's no need to letter or color at the 11" x 17" size. You will keep your file size small and be able to see what it looks at printed size. You may also save time as you won't have to wait for your computer to render, redraw or catch up with you since your file size will be smaller. 

With original art you don't want to miniaturize. Which means drawing the same detail on a car that's far away as a car that is larger and closer to the reader. This helps to create atmospheric perspective and gives the illusion of depth. You still don't want to do this digitally, however the better quality of e-book readers and zoom in technology do open up some creative possibilities that didn't exist before. Think about it.

No matter what size you draw, use 600 dpi as your resolution. 

So here are the sizes you need to be aware of when creating a comic digitally at print size.

Live/Safe area is 6" x 9"
Bleed area is 7" x 10.5"
Trim size is 6.625" x 10.25"

*Note: Printers only need an 1/8" bleed. Any more is just a waste of your time and space.

A general guide for digital comic book lettering font sizes to use:

For print comics:
Light text (meaning not a lot of words)
size/leading = 7.35/7.75

Heavy Text (meaning you need to squeeze a lot of words on the page because it's probably over written)
size/leading = 6.35/6.75

For web comics:
Light Text
size/leading = 10/12

Heavy Text
size/leading = 9/11

A good guide is to use no more that 25 to 28 words per balloon or caption.

https://kleinletters.com/HandBasics.html - How to letter by hand by Todd Klein.

Next…  I'll have some templates for you to download or maybe I'll only make it available to people who I see follow me.

read next - Light My Fire
previous - Wow, What a Spread!

Keep reading and follow me. If you have found this helpful, please let me know and share with other creators. Are the explanations clear and complete? Feel free to ask me questions.

Remember… Just Create!

If you are interested in further expanding your knowledge, then I recommend these books.

You can support this blog when you purchase a book by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.

Please support me making video tutorials on Patreon.

copyright 2012 H. Simpson


Wednesday, February 8, 2012

Talk the Lingo


Woman and man talking

How to Make a Comic Strip, Comic Book and Graphic Novel


Learn to do everything, which means write, draw, color and letter. If there is an opening for a letterer and not an artist, then take the lettering position. It's easier to get jobs from the inside than from the outside.

You don't know what a letterer is? Then it's time to learn some terminology so you don't have a blank look when an editor talks to you. Knowledge is power. Not the power of Greyskull, but enough.

1. PLOT - Written breakdown of the story with significant actions and some dialogue. The artist takes the plot and visually decides the page breakdown and pacing of the story.

2. SCRIPT -  The words; dialogue and captions - that will be used in the comic. There are also directions to the artist concerning the environment, actions, thought process, motivations, emotions of the characters. The script can be broken down in panel by panel form or page by page.

3. DIALOGUE - The words spoken by the characters usually depicted in word balloons.

4. BALLOONS - An area called a balloon which contains the dialogue. A balloon tail points towards the mouth of the character who speaks. The most common balloon is rectangular or oval shaped and called a Word balloon. Burst balloons show when someone is screaming. Double Outline balloons add emphasis to the words. Radio/Electric  balloons show when speech is transmitted through any type of communication device. Telepathic balloons are creatively executed balloons to show telepathy. Thought balloons are made up of bubbles and a tail with smaller individual bubbles. These reveal the thoughts of the characters, but aren't used so much these days. Wavy balloons show the speech of an emotionally or physically distressed character. Whisper balloons are dotted or grayed out to show a character speaking in hushed tones.

4. CAPTIONS -  A narrative device. There are four types used in comics. Reveal location and time of events. Reveal character thoughts. Show off-panel dialogue of character. The narrative of the Omnipotent Observer or a character involved with the story who tells the story - a narrator.

5. OMNIPOTENT OBSERVER - Knows all and tells all to the reader, even things the characters may not know. This is not a character in the story. It's an unknown entity that hovers above it all.

Resources


Fonts
Calligraphy
Transform your handwriting into a font on this website.

Writing
How to Write Comics by Alan Moore

Self-publishing
Dave Sim's essays on self-publishing.

to be continued…

Keep reading. Share with your friends. Please comment. Just Create!

read next - Making Magic
previous - The Nitty Gritty Begins

copyright 2012 H. Simpson


If you are interested in further expanding your knowledge, then I recommend these books.

When you purchase a book by clicking the link below, I get a piece of the action and helps me to continue doing this blog. Support an artist today.